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index


sound 1.1 songwriting
1.2 experimental
2.1 mixes
2.2 performance/installation

drawn 3.1 available artifacts
3.2 booking form    
3.3 archive
  
4.1 commissions
4.2 concepts
wrote5.1 dear diary

upcoming



SPRING 29. April
Bumholes Single Release
“Do You Need A Hand?” release show at WEST GERMANY (Berlin)

3. May
Ebontriqua Meets
s.t3v ambient live set at KWIA (Berlin)

6. May
No Lube So Rude Tour
Bumholes opening for Peaches at ASTRA KULTURHAUS (Berlin)

17. May - 12. June
@body__file Tour
tattooing in various U.S. cities (details)

SUMMER 27. July - 2. August
Joan
experimental live accompaniment for a premiere of Hannah Schillinger’s at SCHWERE REITER (Munich)

20.-23. August
Joan
experimental live accompaniment for a piece directed by Hannah Schillinger at DOCK11 (Berlin)


contact


general inquiries:
contact@st3v.net

stevie gunter is an artist & archivist working in sound design, selection, tattoo, & illustration. Each artifact serves as speculation on the truth beneath recollection, dream, and reclamation. As s.t3v, they manifest the mischief of sonic energy with a devotion to groove beyond genre. As body__file, they transfigure the sentimental into the sacred via tattoo. Working in a project based format, they dive into a wide range of genres and mediums to balance inquiry, service & memory as praxis.
⋆。°✩cv


Did4Luv

2026 - Tanztage


Concept: Carro Sharkey
Choreography: Dominique McDougal, Carro Sharkey
Performance: Dominique McDougal/Carro Sharkey
Lights: Bryan Schall
Sound (live): s.t3v


If today were the day you had to stop dancing, how would you feel? Did4Luv is a tragicomic dance solo shared between Dominique McDougal and Carro Sharkey, with each performing on alternate nights. The performance spirals through a surreal dreamscape of labor, blending mascot work, drag, clowning, magic, and pole dance, each new gig dissolving into the next.

Did4luv stages labor as spectacle and spectacle as labor, asking what forms of visibility and desire the systems of work and entertainment extract from marginalized bodies. It traces the toll of constant reinvention, revealing the psychic wear of always needing to entertain, sell, and survive.